Ontology of the Work of Art

His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art.

Ontology of the Work of Art

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its “constitutive heterogeneous strata,” Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure. Further, he shows that in consequence of the art work's structure, we must distinguish between the work itself and the concretizations of it by the listener or viewer. Ingarden elaborates upon the conception of concretization which he present in The Literary Work of Art and applies it to music and visual art. He also employs the concept of aspect to clarify the ontic structure of these art works and the distinction between the concretization of the work and the work itself. The distinction between the work's concretization — effectuated in the mental experiences of the listener or viewer — and the work itself serves to help Ingarden confirm and account for the work's intersubjective identity. The problem of aesthetic value, Ingarden maintains, can be fruitfully treated only after the ontic structure of art work has been clarified. His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art. In addition, he offers several discussions of aesthetic value, showing in the m the connections between questions of aesthetic value and the structure of the work of art.

More Books:

Ontology of the Work of Art
Language: en
Pages: 342
Authors: Roman Ingarden
Categories: Art
Type: BOOK - Published: 1989 - Publisher:

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world.
Maritain’s Ontology of the Work of Art
Language: en
Pages: 138
Authors: J.W. Hanke
Categories: Philosophy
Type: BOOK - Published: 2012-12-06 - Publisher: Springer Science & Business Media

I. Since the appearance in 1902 of Benedetto Croce's L'estetica come scienza dell' espressione e linguistica generale, the problem of the ontology of the work of art or aesthetic object - what kind of thing it is and what its mode of being is - has come to occupy a
The Literary Work of Art
Language: en
Pages: 415
Authors: Roman Ingarden
Categories: Literary Criticism
Type: BOOK - Published: 1979-06 - Publisher: Northwestern University Press

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus:
Investigations Into the Phenomenology and the Ontology of the Work of Art
Language: en
Pages: 264
Authors: Peer F. Bundgaard, Frederik Stjernfelt
Categories: Philosophy
Type: BOOK - Published: 2015-06-22 - Publisher: Springer

​This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or
Cognition of the Literary Work of Art
Language: en
Pages: 436
Authors: Roman Ingarden
Categories: Literary Criticism
Type: BOOK - Published: 1973 - Publisher: Northwestern University Press

This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: