Comparison between text and nontext (e.g., image, object, performance) makes sense if we have a deeper understanding of what is being compared to what. I tried to show this by juxtaposing Garcilaso de la Vega's text with some of Guamán ...
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Language: en
Pages: 308
Pages: 308
Looks at the development of American avant-garde art, including performance art, environmental art, conceptual art, video, and photo-realism
Language: en
Pages: 237
Pages: 237
Books about The Object of Literary Criticism
Language: en
Pages: 486
Pages: 486
The theory and practice of networked art and activism, including mail art, sound art, telematic art, fax art, Fluxus, and assemblings. Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance--geographical, temporal, or emotional--theorists and
Language: en
Pages: 280
Pages: 280
"The book... succeeds at refining elements in the problem that semiotics and theater represent to and for one another." -- Choice "The Semiotics of Performance surprisingly retains its revelatory freshness, and actually opens up areas of reseach that could very well supply new incentives for further probing into what semiotics
Language: en
Pages: 246
Pages: 246
This finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline. Performance Art first became popular in the fifties when artists began creating 'happenings'. Since then the artist as a performer has challenged many of the accepted rules of the theatre and radically altered our notion of